Victorian Hair Art and the Macabre Rituals of Death in Early Breckenridge, Colorado

Updated: Nov 7, 2019


Hair is at once the most delicate and last of our materials and survives us like love. It is so light, so gentle, so escaping from the idea of death, that, with a lock of hair belonging to a child or friend we may almost look up to heaven and compare notes with angelic nature, may almost say, I have a piece of thee here, not unworthy of thy being now. Excerpt from Gody’s Ladies Book, 1850

Macabre rituals of death and mourning bewitched the early residents of Breckenridge. Just as Victorian architecture was the style in Breckenridge’s mining days, so too were the traditions and practices surrounding death and dying made popular by Queen Victoria upon the death of her beloved Prince Albert.

Queen Victoria (b. 1819 – d. 1901 ) was a tremendous force on culture and popular style around the world in the late 1800’s. When her husband, Prince Consort Albert, died in 1861 at the relatively young age of 42, Victoria entered a period of pathologically deep mourning from which she never recovered. Victoria ushered in a new era of the “cult of the dead,” a fascination with death accompanied by the awareness that death eludes us every day that we live. As a result, the world became enchanted with memento mori, remembrances of the dead. Even today, we are influenced by Victoria’s lead: we still observe funereal etiquette, wear black to memorials, and observe a “wake” upon the death of a loved one. However, Victoria took her grieving to a new level of performance art. And the people of Breckenridge followed suit. In our own country, the mass casualties of the Civil War further increased interest in memorialization.

Queen Victoria's locket

One of the strangest practices, to our era anyway, was the craft of making art from a deceased loved one’s hair. Hair does not decay like the flesh and bones of the dearly departed, making it the perfect vehicle for remembrance.

Hair art was not usually made by professional artists. It was considered a “ladies’ activity.” Neither was hair art always made from the dead. Long hair was de rigueur for Victorian-era women, and they saved their lost strands in a hair receiver for future use. However, saving locks from the departed created some of the most common, and most poignant, hair art.

Hair art is created using a variety of techniques; it can be braided, macramé-d, molded, and wired, or chopped into pieces and pasted down like a painting. Coloring was achieved by using different shades of tresses, with white hair being highly prized. While the Breckenridge collection is comprised of hair art that is mounted in frames affixed to the wall, hair art can take many forms: bracelets, brooches, earrings, rings, chains, necklaces, shawl pins, purses, book markers, pencil cases, and even riding whips.

The Breckenridge Heritage Alliance’s notable collection of Victorian Hair Art includes wreaths, flower arrangements, and miniatures. One piece features initials; we assume they commemorate the deceased.

You can learn to make your own hair art in this article and from this reproduced book from 1867. Thankfully the instructions include directions on how to wash and dry the hair before turning it into art. Most importantly, dry the hair away from fire, for obvious reasons. The largest collection of hair art in the U.S. is found in Independence, Missouri.

Hair art is not the only creepy thing on display during October's Historic Horrors and Halloween Events at the Breckenridge Heritage Alliance. The hair art is currently part of the exhibit: “Milne House in Mourning: A Wake for Ada Finding,” a unique collection highlighting late 1800s mourning customs, superstitions, and etiquette. Also on display are clothing, veils, a child’s casket, and tear-savers (yes, they did that too). The exhibit continues through November 3, 2019.

Tying the exhibit together is the death of young Ada Finding, who passed away twice. Her first brush with death was on January 19th, 1888, just after lunch. Thankfully, the family observed the popular Victorian-era tradition of the “wake,” a practice intended to ensure that the deceased was truly dead and not just in a coma. Little Ada awoke from her death to the joy of her family. The celebration was short-lived, as Ada passed away again the next morning, this time for real.

Another notable carry over from the Queen Victoria era is strict etiquette. The exhibits explains some of the customs and procedures to be observed in the loss of a loved one. There was deep mourning and half mourning, rules about what to wear, how to enter a home and what kind of stationery was appropriate.

You can take in the “Milne in Mourning” exhibit on the Walk Through History Tour and Breckenridge Haunted Tour during October as well as during our Halloween Teas and the Breckenridge Ghost Experience Haunted House. Click here to learn more and reserve your space. Happy Hauntings!


written by Leigh Girvin

What is the BHA?

The Breckenridge Heritage Alliance preserves unique historic resources in the Breckenridge area and connects residents and visitors to our past through inspiring interpretation of heritage sites and stories. 

970-453-9767

info@BreckHeritage.com

Mailing Address:  PO Box 2460

Welcome Center:  203 South Main Street

Administrative Office:  309 North Main Street

Breckenridge, CO 80424

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